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Home / Daily News Analysis / Pakistani actress Dananeer Mobeen under fire for criticising Shah Rukh Khan’s Devdas; here’s what she said

Pakistani actress Dananeer Mobeen under fire for criticising Shah Rukh Khan’s Devdas; here’s what she said

May 18, 2026  Twila Rosenbaum  6 views
Pakistani actress Dananeer Mobeen under fire for criticising Shah Rukh Khan’s Devdas; here’s what she said

Pakistani actress Dananeer Mobeen has ignited a firestorm of criticism after labeling Shah Rukh Khan's 2002 blockbuster Devdas as 'overrated' in a recent interview. The comments, which were shared widely on social media, have not only angered fans of the classic film but have also drawn attention to her own struggling career, as her latest movie Mera Lyari bombed at the box office.

In the interview with Mashion, Mobeen was asked to name a famous film she considered overrated. Without hesitation, she picked Devdas, saying: "What's the story? This famous story has an alcoholic, a lady with low self-esteem, and a woman who is pushed by the man. What makes it so memorable? Why is everyone so excited? I get the settings, grandeur, and clothes, but what about the story? Why do we glorify alcoholism?"

Her remarks immediately went viral on both Indian and Pakistani social media platforms, with many users accusing her of lacking an understanding of the film's tragic narrative. Devdas, directed by Sanjay Leela Bhansali and based on Sarat Chandra Chattopadhyay's 1917 novel, is a deeply emotional story about a man's self-destructive love and the societal pressures that lead to his downfall. The film is celebrated for its opulent sets, intricate costumes, and powerful performances by Shah Rukh Khan, Aishwarya Rai Bachchan, and Madhuri Dixit. It remains a benchmark in Indian cinema, often cited for its visual grandeur and unforgettable music.

Critics were quick to point out that Mobeen's criticism seemed shallow and uninformed. One X (formerly Twitter) user wrote, "Tomorrow she will proclaim Shakespeare overrated. Little learning is harmful, and she demonstrated it like no other!!! Such persons should avoid speaking in public in order to appear knowledgeable. Just do your job, which is acting." Another user dismissed her as "dumb" for missing the point of a classic tragedy.

Adding to the controversy, several netizens unearthed a video of Mobeen performing at a concert dressed as Paro, the character played by Aishwarya Rai in Devdas. This apparent contradiction—criticizing a film while having previously embraced its iconic imagery—only fueled accusations of hypocrisy. One user remarked, "Holy crap, is she irritating. I couldn't even get through the entire thing. Please sit her down and explain what a 'tragedy' means in the literary sense. Or, better still, quit give her the darn mike and save us all the hassle."

The backlash comes at a particularly inopportune time for Mobeen, as her new film Mera Lyari is struggling at the Pakistani box office. Released on May 8, the movie was touted as Pakistan's answer to India's action franchise Dhurandhar. However, reports indicate that the film sold only 22 tickets on its opening day and was pulled from multiple screens due to poor audience reception. The commercial failure of Mera Lyari has undoubtedly added to the scrutiny surrounding Mobeen's recent statements.

To understand why Devdas remains so beloved, one must appreciate its place in cinematic history. The 2002 adaptation, starring Shah Rukh Khan as the tragic hero Devdas, Aishwarya Rai as the long-suffering Paro, and Madhuri Dixit as the courtesan Chandramukhi, is the tenth film adaptation of Chattopadhyay's novel. Bhansali's version is renowned for its lavish aesthetic—massive chandeliers, intricate jewelry, and sprawling havelis—which set a new standard for period dramas in Bollywood. The film's soundtrack, composed by Ismail Darbar and Shankar-Ehsaan-Loy, includes timeless hits like "Dola Re Dola," "Silsila Ye Chaahat Ka," and "Maar Dala," which continue to be celebrated decades later.

The story of Devdas is a poignant exploration of love, pride, and self-destruction. Devdas, a wealthy landlord's son, returns from London to find his childhood sweetheart Paro has been promised to another man due to his family's disapproval. Unable to express his love, he descends into alcoholism and finds solace in the arms of courtesan Chandramukhi. The film's tragic ending—Devdas dying on Paro's doorstep—underscores the consequences of societal constraints and personal weakness. Far from glorifying alcoholism, the film portrays it as a destructive escape, making Devdas a cautionary figure.

Mobeen's dismissal of the story as mere "alcoholism" reveals a misunderstanding of narrative nuance. Critics argue that she reduced a complex character study to a simplistic moral judgment. Moreover, her earlier participation in a Devdas-themed performance suggests a selective appreciation of the film's visual appeal without engaging with its thematic depth.

The social media backlash also highlights the cross-border cultural connection between India and Pakistan, particularly in the realm of cinema. Bollywood films have a massive following in Pakistan, and Devdas is no exception. Many Pakistani fans were disappointed that a fellow actress would disparage a shared cultural touchstone. The controversy underscores how deeply films like Devdas are embedded in the collective consciousness of South Asian audiences.

Dananeer Mobeen, known for her work in Pakistani television and film, rose to fame through social media and music videos before transitioning to acting. Her previous projects received moderate attention, but Mera Lyari was expected to be a breakthrough. The film, set in Karachi's Lyari neighborhood, aimed to showcase local talent and stories. However, early reports suggest that the film's narrative and production values failed to resonate with audiences, leading to an abysmal opening.

The timing of Mobeen's Devdas remarks could not be worse. As an actress facing a career-defining moment, such offhand criticism of a revered classic may alienate potential fans and industry peers. The film industry—both in India and Pakistan—thrives on mutual respect for iconic works, and publicly dismissing one can be seen as unprofessional or even arrogant.

Furthermore, the episode raises questions about the responsibility of public figures when commenting on established cultural artifacts. While everyone is entitled to an opinion, hasty judgments without context can come across as dismissive. In the age of social media, such comments are instantly amplified and can have long-lasting repercussions for one's career.

As the debate continues, many are pointing to Mobeen's Mera Lyari box office failure as a humbling reminder that success in the entertainment industry requires more than just visibility. The backlash against her Devdas comments may further hinder her prospects, at least until she addresses the controversy with a more nuanced perspective.

In the end, the most vocal response came from a user who wrote: "What a shallow and ignorant perspective of Devdas. Reducing a masterpiece like that to casual comments demonstrates a profound lack of comprehension of cinema. Not every viewpoint deserves to be spoken, especially when it rejects something so famous so casually. Very disappointing, Dananeer."

This sentiment echoes across social media, reminding celebrities that words carry weight, especially when they touch the heart of a beloved work of art. Whether Dananeer Mobeen will learn from this experience remains to be seen, but the episode has certainly left a mark on her public image.


Source: MSN News


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